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Critical review

Edward Said: The Orient as a Discursive Invention

Antoine Nguidjol

Abstract

Orientalism shows how scholarship, literature and political power jointly produced an imagined Orient that could be described, classified and governed.

Critical review · Reading edition

The Orient is not a neutral description

Edward Said does not deny the existence of societies east of Europe. He examines the system of representations through which Europe transformed their diversity into a single object called the Orient.

This object was repeatedly portrayed as irrational, passive, sensual and incapable of governing itself, in contrast to a supposedly rational and active West.

Knowledge and power

Travel writing, philology, literature and colonial administration did not operate separately. Their descriptions accumulated, confirmed one another and made domination appear intellectually justified.

The authority to describe became inseparable from the power to speak in place of those being described.

Reading without replacing one enclosure with another

Said’s critique does not require rejecting every European work or constructing an equally fixed image of the West. It calls for attention to position, history and unequal access to representation.

A decolonial reading restores plurality and allows the represented subject to become a producer of knowledge.

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